{"id":14,"date":"2020-03-05T11:35:51","date_gmt":"2020-03-05T11:35:51","guid":{"rendered":"http:\/\/marlis-petersen.local\/?page_id=14"},"modified":"2020-10-21T20:22:48","modified_gmt":"2020-10-21T18:22:48","slug":"concert","status":"publish","type":"page","link":"https:\/\/marlis-petersen.de\/en\/repertoire\/concert\/","title":{"rendered":"Concert"},"content":{"rendered":"<p>With not one singing lesson I was asked to do my first \u201creal\u201d concert at the age of seventeen in our church in Tuttlingen: a mass of Franz Schubert. Sacred music was a revelation for me and still brings me deep satisfaction when I perform it.<\/p>\n<p>The fascination lies especially in the encounter with many different orchestras and conductors. To understand for example why an orchestra is well-known for its fabulous interpretation of Mozart or Strauss I needed lots of music-making and experience.<\/p>\n<p>The present to dive into a musical vision of Kirill Petrenko, Antonio Pappano, Simon Rattle, Nikolaus Harnoncourt, Rene Jacobs and many more wonderful conductors, to share the stage with the Berlin Philharmonics, the Boston Symphony, the Vienna Philharmonics, the Concertgebouw Orchestra or Freiburg Baroque enriched the path of my career in a way that it made my own music making more profound and it is contagiously inspiring.<\/p>\n<h4 style=\"text-align: center;\">Current Concert Repertoire<\/h4>\n<p style=\"text-align: center;\">(original language)<\/p>\n<ul>\n<li><strong>J. S. Bach<\/strong><br \/>\nKantaten<br \/>\nJohannes-Passion<br \/>\nMatth\u00e4us-Passion<br \/>\nMagnificat<br \/>\nh-Moll-Messe<\/li>\n<li><strong>L.v. Beethoven<\/strong><br \/>\nMissa Solemnis<br \/>\nEgmont<\/li>\n<li><strong>A. Berg<\/strong><br \/>\nLulu-Suite<br \/>\nDer Wein<br \/>\nSieben Fr\u00fche Lieder<\/li>\n<li><strong>J. Brahms<\/strong><br \/>\nEin Deutsches Requiem<\/li>\n<li><strong>W. Braunfels<\/strong><br \/>\nDie Gott minnende Seele<br \/>\nRomantische Ges\u00e4nge<br \/>\nJapanische Ges\u00e4nge<\/li>\n<li><strong>B. Britten<\/strong><br \/>\nSpring-Symphony<\/li>\n<li><strong>G. Crumb<\/strong><br \/>\nStar-Child<br \/>\nApparition<\/li>\n<li><strong>J. Doderer <\/strong><br \/>\nSalve Regina<\/li>\n<li><strong>G. F. H\u00e4ndel<\/strong><br \/>\nMessias<br \/>\nSalomo<br \/>\nAcis und Galathea<\/li>\n<li><strong>J. Haydn<\/strong><br \/>\nDie Sch\u00f6pfung<br \/>\nDie Jahreszeiten<br \/>\nMessen<\/li>\n<li><strong>E. Krenek<\/strong><br \/>\nKantate von der Verg\u00e4nglichkeit des Irdischen<\/li>\n<li><strong>G. Mahler<\/strong><br \/>\nSinfonie Nr.2 \/ Nr. 4<br \/>\nSieben Lieder aus letzter Zeit<\/li>\n<li><strong>F. Mendelssohn<\/strong><br \/>\nElias<br \/>\nSalve Regina<br \/>\nLobgesang<\/li>\n<li><strong>W. A. Mozart<\/strong><br \/>\nMessen<br \/>\nVespern<br \/>\nExultate Jubilate<br \/>\nRequiem<br \/>\nMessias (Mozart-Fassung)<br \/>\nC-Moll Messe<br \/>\nConcert Arias<\/li>\n<li><strong>C. Orff<\/strong><br \/>\nPrometheus<br \/>\nCarmina Burana<\/li>\n<li><strong>C. Saint-Sa\u00ebns<\/strong><br \/>\nOratorio de No\u00ebl<\/li>\n<li><strong>F. Schreker<\/strong><br \/>\nZwei Lyrische Gesa\u00e4nge<\/li>\n<li><strong>A. Sch\u00f6nberg<\/strong><br \/>\nDie Jakobsleiter<br \/>\nGl\u00fcckliche Hand<\/li>\n<li><strong>F. Schubert<\/strong><br \/>\nSalve Regina<br \/>\nLazarus<br \/>\nMessen<\/li>\n<li><strong>R. Schumann<\/strong><br \/>\nFaustszenen<br \/>\nDas Paradies und die Peri<\/li>\n<li><strong>I. Strawinsky<\/strong><br \/>\nLes Noces<\/li>\n<li><strong>G. Ph. Telemann <\/strong><br \/>\nJohannes-Passion<br \/>\nINO-Kantate<\/li>\n<li><strong>K. Thieme<\/strong><br \/>\nFreiheit, mein Stern<br \/>\nRequiem<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>With not one singing lesson I was asked to do my first \u201creal\u201d concert at the age of seventeen in our church in Tuttlingen: a mass of Franz Schubert. Sacred music was a revelation for me and still brings me deep satisfaction when I perform it. The fascination lies especially in the encounter with many [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":10,"menu_order":28,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-14","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/marlis-petersen.de\/en\/wp-json\/wp\/v2\/pages\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marlis-petersen.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marlis-petersen.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marlis-petersen.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marlis-petersen.de\/en\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":3,"href":"https:\/\/marlis-petersen.de\/en\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":1761,"href":"https:\/\/marlis-petersen.de\/en\/wp-json\/wp\/v2\/pages\/14\/revisions\/1761"}],"up":[{"embeddable":true,"href":"https:\/\/marlis-petersen.de\/en\/wp-json\/wp\/v2\/pages\/10"}],"wp:attachment":[{"href":"https:\/\/marlis-petersen.de\/en\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}